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by Nathan Motylinski 8 min read
1 CommentTo understand fragrance, you don’t need formal training — you need awareness. Notice the scents that surround you every day, then practice describing them in your own words: their texture, their color, their mood, what they remind you of. That practice builds a personal scent vocabulary, and it is the foundation of everything else in fragrance. |
Training the nose — a handful of roses fresh from the field. |
Key Takeaways
We live in a world of constant stimulation—buzzing phones, blinking screens, endless notifications. Our attention is constantly being pulled in every direction, and yet one of the most powerful senses we have often goes unnoticed: the sense of smell.
When you begin to pay attention to scent, an entirely new world opens up—one that has always been there, waiting to be noticed.
From early childhood, we’re taught how to read, how to distinguish colors, how to recognize sounds. But we’re rarely taught how to understand scents. Instead, most aromas are filed into simple categories of “good” or “bad,” and our fragrance vocabulary becomes literal and limited:
Chocolate smells like chocolate
Roses smell like roses
Vanilla smells like vanilla
But fragrance is far more complex—and far more personal—than those simple definitions allow.
To truly understand fragrance, the first step is awareness. Scents surround us constantly—natural, human-made, fleeting, strong, pleasant, unexpected. Most go by unnoticed.
Start by noticing:
These everyday experiences build your scent memory, which is the foundation of understanding fragrance at a deeper level.
Understanding fragrance isn’t about memorizing long lists of notes, terminology, or families. It’s about learning to express what a smell means to you.
Try asking yourself:
There are no right or wrong answers. Fragrance is emotional, imaginative, and deeply individual.
Describing a smell is easier when you have smelled it well. Four habits do most of the work, and none of them needs equipment you do not already have.
Short sniffs, not one long inhale. Two or three quick sniffs read more than one deep breath — the receptors report change, and a long steady draw gives them nothing to change against.
Start on a blotter, not on skin. A paper strip shows you the fragrance on its own. Skin is warm and has chemistry of its own, so it is the second read, not the first.
Label the strip before you dip it. Three unlabelled strips on a table are three smells you can no longer tell apart.
Give it an hour. What you smell in the first minute is not what the fragrance is. Set the strip down, come back to it, and write something each time.
| When | What you are smelling | What to write down |
|---|---|---|
| First minute | The top notes — the lightest, fastest materials, and the first thing to leave | Your first impression, before you have talked yourself into anything |
| 10 to 30 minutes | The heart — the body of the fragrance, and most of what it is | Character and mood: what it reminds you of, what you would call it |
| An hour and after | The dry down — the heaviest materials, the part that stays | What is left, how it sits, and whether you still like it |
You walk into someone else’s house and smell it immediately. You walk into your own and smell nothing. That is olfactory fatigue — hold a smell in front of the nose long enough and the receptors simply stop reporting it. It is not a fault, and it is not something to push through.
It is also the most common reason a fragrance evaluation goes wrong. By the fifth scent in a row you are not smelling the fifth scent; you are smelling the wreckage of the first four. Three or four at a sitting is a realistic number. When they start blurring, stop, leave the room, breathe ordinary air for a few minutes, and come back — that is the whole of the reset.
The same effect is worth knowing about from the other side of the counter: you are the worst possible judge of how strong your own product smells, because you have been living with it. Someone who has not is the better nose for that question.
Everything above gets you good at reading a fragrance. There is one more step before that skill is worth money to you, and it is the step most people skip: what you smell from the bottle is not what your customer will smell.
A fragrance oil assessed neat — undiluted, straight from the bottle — is concentrated to a degree no finished product ever reaches. It will read heavier, sharper and more one-note than the same oil at five or eight per cent in a candle, a soap or a diffuser base. Judging a purchase on the neat smell alone is the single most common reason a maker ends up disappointed by an oil that was never wrong.
| What you are smelling | What it tells you | What it does not tell you |
|---|---|---|
| The oil neat, from the bottle | The character and the raw materials — is this the right direction at all | Strength, balance or behaviour in anything you will actually sell |
| On a blotter, over an hour | How the fragrance unfolds and what it settles into | How it behaves once it is in a wax, a base or a batter |
| An unlit candle, after it has cured | Cold throw — what the product smells like on a shelf | What it will be like burning |
| The same candle, lit | Hot throw — the one most customers judge you on | Nothing, at this point; this is the real answer |
Two practical habits follow from that table. The first is to respect cure time: a candle poured yesterday is not ready to be judged, and the opinion you form on day one is usually wrong by day fourteen. The second is to test at the fragrance load you intend to sell at, not above it — an oil evaluated at ten per cent tells you very little about the same oil at six.
Two things can also change under you between the bottle and the product, and neither is a fault in the oil. Vanillin and related materials will discolour a pale soap or wax to cream, tan or brown over weeks. And some materials speed up saponification — acceleration — which is a handling question in cold-process soap rather than a scent question at all. Both are expected behaviours of known materials, and both are easier to plan for than to discover.
So the vocabulary you have been building is the first half of the skill. The second half is knowing which of your senses’ verdicts belongs to which stage, and refusing to let the bottle answer a question only the finished product can answer.
Whether you’re choosing a fragrance oil for your brand, creating a new candle line, or simply exploring personal preferences, learning to describe scents in a personal way helps you:
This personal scent language becomes a powerful tool in building products, brands, and experiences.
If you’re beginning to explore fragrance more deeply, these collections can help you identify styles and preferences:
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Practice on Real Oils
Stock Fragrance Discovery Set
The fastest way to practice is smelling real oils side by side. Each set comes with individually wrapped paper blotters scented with our fragrance oils — the best way for product makers to experience our collection before purchasing oil. From $19.99
Order a Discovery Set
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No. Anyone can develop a refined sense of smell through awareness, curiosity, and practice. You don’t need perfumer training to build a meaningful fragrance vocabulary.
Smell is processed in the brain next to memory and emotion, not language—so describing scents takes creative thinking rather than literal definitions.
Pay attention to daily smells, connect them to textures, colors, and moods, and test your interpretations by exploring different fragrance families.
Absolutely. Being able to articulate scent preferences makes selecting the right fragrance oils—whether for perfume, candles, skincare, or home fragrance—much easier.
It is olfactory fatigue. Your receptors stop reporting a smell you have been exposed to continuously, which is why you cannot smell your own home. The reset is a break — step away from the fragrance, breathe ordinary air for a few minutes, and come back. Smelling three or four scents at a sitting rather than a dozen keeps it from happening at all.
Start on a blotter. A paper strip shows you the fragrance itself, and you can label it and smell it again an hour later to see what it becomes. Skin is warmer and adds chemistry of its own, so it is the second read, not the first.
Only as a first filter. Neat oil is far more concentrated than any finished product, so it reads heavier and flatter than the same oil at five or eight per cent. Use the bottle to decide whether the direction is right, a blotter to see how it unfolds, and a cured test product at your intended fragrance load to decide anything else. For a candle that means cold throw once it has cured and hot throw while it burns — the last of those is the one your customers will judge you on.
Event RecapLive Smelling Session: Raleigh, NC
GuideThe Complete Guide to Fragrance Oils
GuideHow to Choose the Right Fragrance Oil
There’s more fragrance education in our Fragrance Oil Knowledge Center.
Have questions about fragrance or want help finding the right notes for your project? Contact us—we’re here to help.
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This company has from day one, created the most unique, rich, complex and intoxicating fragrances I have ever “experienced”! The passion that Nathan and Cecile have for fragrance is a key ingredient to the success of their business as well as their creations. I feel so good when I wear these fragrances, and it’s really true that I can change how I feel by the fragrance I choose to wear on any given day! My favorites are the citrusy scents in summer and woody, florals in the winter.